Ritt auf der Wildsau

British-born artist Rachel Lumsden creates primarily large-format figurative paintings characterized by intensely atmospheric, pictorial spaces. Her imagery coalesces on the canvas through a virtuoso handling of paint, evoking visual narratives that come unexpectedly close and yet cannot be entirely grasped. In her book Igniting Penguins, Lumsden invites the reader on an entertaining excursion into the art world and to the core of painting itself. Along the way we are introduced to some of its powerful and quirky gatekeepers, we are baffled by arts apparently unshakeable gender roles, and we discover what makes figurative painting a sexy form of quantum physics. Lumsdens essay is both a personal manifesto and a survey of todays art scene. Above all, it is a blazing confession to the art of painting.